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"perceptual phenomena"



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Untitled (Construction)
© » KADIST

Larry Bell

Sculpture (Sculpture)

Untitled (Construction) recalls the series of glass cubes that gained Bell international recognition in the 1960s. Resembling a black-mirrored box, this recent iridescent piece produces an uncanny effect in which the interior planes seem to enclose a mysterious light. Although austere in form, Bell’s works are far from simple: he uses technology like a vacuum-coating process, to accurately control the different levels of opacity and transparency on the surface of his immaculate glass works.

VFGY9
© » KADIST

Larry Bell

Drawing & Print (Drawing & Print)

Like many of Larry Bell’s works, VFGY9 deals primarily with the viewer’s experience of sight. The blocks resemble a stone carving, or slabs of wood shaped into a simple organic composition whose overall sheen is varied through a thin layer of aluminum vapor. Yet, the real material of Bell’s piece is actually light, formed within the viewer’s eye into masses as present as stone.

Phenomena
© » KADIST

Yang Xinguang

Sculpture (Sculpture)

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.

Untitled
© » KADIST

John McCracken

Painting (Painting)

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.

Untitled (TIME)
© » KADIST

Mungo Thomson

Film & Video (Film & Video)

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second. In a way, this work both examines the construction of history and the history of the influential magazine, which was founded in 1923. In addition to the play on “time”—one of Thomson’s ongoing obsessions—this piece highlights and continues the artist’s encyclopedic impulse, also seen in The White Album (2008), to record the history of the spaces he inhabits.

The White Album
© » KADIST

Mungo Thomson

Drawing & Print (Drawing & Print)

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979. As with Will Rogan’s MUM series, also included in the Kadist Collection, vital information is now missing: All of all the articles and features have been removed, leaving only ten years of advertisements. In an unusual way, The White Album reminds us that this important New York-focused magazine was originally founded in 1962 in San Francisco to promote Bay Area artists before it moved to Los Angeles in the mid-1960s in search of a wider advertising base.

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

Sculpture (Sculpture)

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.

Studio Construct 51
© » KADIST

Barbara Kasten

Photography (Photography)

Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points. Light streams from unseen sources and projects rectangular shadows against an adjacent wall. Three-dimensional shapes become suddenly flat as the objects in Kasten’s still life are juxtaposed alongside their ghostly traces.

Eclipse
© » KADIST

Jordan Kantor

Drawing & Print (Drawing & Print)

Eclipse is a series of screenprints from Jordan Kantor’s larger vitrine installation that included reworkings of a single image of a small group viewing an eclipse through shielding cut-outs. Printed on a clear surface, the work plays with ideas of obstruction and viewing, connecting spectacular natural phenomena with contemporary art making.

Walking Through
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.

The American War
© » KADIST

Harrell Fletcher

Photography (Photography)

The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history. The project began in 2005 when Fletcher visited the War Remnants Museum in Ho Chi Minh City. He was shocked by images that depicted the lasting effects of the war and the atrocities committed by the United States.

A poem written by 5 poets at once (first attempt)
© » KADIST

Koki Tanaka

Film & Video (Film & Video)

This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013. These videos show several participants from different backgrounds gathering to create and object or an action. For this video, he brought together five Japanese poets from different movements and styles.

Infinity and Infinity Plus One
© » KADIST

Cao Shu

Film & Video (Film & Video)

The installation Infinity and Infinity Plus One by Cao Shu is a modern fable of destruction, collective consciousness, and future memory told through the lens of a seaside hotel erected in the 1990s on an island in China. Combining 3D-rendered images and shot footage, the work travels through a seemingly-unlimited number of rooms, infinite corridors, and breathtaking viewpoints on site. Meanwhile, an official voiceover tells an absurd story about philosophy and mathematics in the form of a monologue.

Process of Blowing Flour
© » KADIST

Koki Tanaka

Photography (Photography)

Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour . The images depict the gradual blowing away of a plate of flour held by Tanaka. Because his pose is static throughout the images, his presence is deemphasized and instead the viewer’s attention is drawn to the motion of the flour.

Returning a sound
© » KADIST

Allora & Calzadilla

Film & Video (Film & Video)

Vieques is an island off the mainland of Puerto Rico used by the U. S Navy and NATO forces as military testing ground as from the 1940s. Civil disobedience and active protest movements initiated by local inhabitants and an international support network led to the end of the bombings and progressive demilitarization in 2002.

Sal Sem Carne
© » KADIST

Cildo Meireles

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

The Nature of Conflict
© » KADIST

Allora & Calzadilla

Installation (Installation)

This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph. Here Allora & Calzadilla condemn the worldwide threat of violence caused by the high desirability of oil and water. Caught in the light, the patterning of the two liquids in the print creates attractive rainbow-like pools, a distanced comment on pollution.

Land Mark (Foot Prints) #12
© » KADIST

Allora & Calzadilla

Photography (Photography)

This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.

Intermission (Halloween Iraq IV)
© » KADIST

Allora & Calzadilla

Drawing & Print (Drawing & Print)

Intermission (Halloween Iraq IV) is a large print that depicts U. S. soldiers in Iraq celebrating Halloween. They ride donkeys—apparently playing polo—while wearing masks that simultaneously familiarize the soldiers, through the recognition of a common holiday, and distance them, through the obscuring of their faces. Its means of reproduction—a woodblock print—further amplifies the distance between the event and its presentation, as well as the engagement of the artists.

The Illusion of Everything
© » KADIST

Daniel Crooks

Film & Video (Film & Video)

The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways. The video begins with the pedestrian traversing a seemingly idyllic ivy lined stone and concrete thoroughfare. As his pace begins to accelerate, the camera follows him with greater urgency, slowly settling and become stable again as his pace decelerates.

Jet Folder & Data Tree
© » KADIST

Lin Ke

Drawing & Print (Drawing & Print)

Jet Folder & Data Tree (2013) offers a humorous take on how computer and screen-based technologies affect our relationship to the natural world. In a statement through his gallery, Gallery Yang, Lin remarks that “one day in 2010, I discovered that the folders in my computer began talking to me. So I created lots of empty folders with no content but name.” Lin’s print, by extension, functions as a collage in which screen-based media becomes part of the natural world, and vice versa.

Dial Tone Drone
© » KADIST

Aura Satz

Installation (Installation)

For her telephone sound composition Dial Tone Drone, Aura Satz commissioned a conversation between two old friends, the sound pioneers Pauline Oliveros (1932-2016) and Laurie Spiegel (born 1945). Carried out via iPhone and Skype and prompted by a series of questions from Satz, the pair congenially discuss aspects of drone sounds, which for years have been an important component of their unconventional electronic work, both audio and video. Their interest in drone sounds and use of sustained or repeated sounds, notes, or tone-clusters aligned with Satz’s own interest in alert signals, and the latter’s attempt to forge a new understanding of hypervigilance and emergency through sound as a perceptual trigger of high alert.

A.P. (no.1)
© » KADIST

Erin Shirreff

Photography (Photography)

Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.

20
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

Lightning01
© » KADIST

Lin Ke

Film & Video (Film & Video)

Lightning 01 (2014) parodies our contemporary relationship to screen-based media and the absurdity of aestheticizing boredom. The video depicts a computer user aimlessly taking photos of himself, seemingly numb to external stimuli or intervention. Set on a loop, the video produces the illusion of an endless state of bored selfies and disaffected gazes.

11
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

Land Mark (Foot Prints) #10
© » KADIST

Allora & Calzadilla

Photography (Photography)

This series of photographs is part of the body of work Allora & Calzadilla made regarding the situation in Vieques, an island off the mainland of Puerto Rico used for the 60 years by the U. S Military and NATO forces to practice military bombing exercises. In 2000, they began a collaboration with the local activists to make the campaign more visible.

Doodood and John
© » KADIST

Chris Huen Sin-Kan

Painting (Painting)

Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life. He does not try to capture a particular moment, but rather the simultaneously changes that occur before him in time, exploring the nuances of light and reflections and recording movements in his apartment, his dog’s behavior and reactions, the way his plant change over time, all in an attempt to find a visual expression of his cognitive experience. Doodood and John are the names of his dog and the plant.

Mungo Thomson

Allora & Calzadilla

Jennifer Allora and Guillermo Calzadilla comprise the artistic duo Allora & Calzadilla...

Agnieszka Kurant

Hong Hao

Spanning photography, painting, installation, as well as behavior and performance art, Hong Hao’s artistic exploration is informed by the many cultural, political, and economic shifts in his lifetime...

Koki Tanaka

Dennis Adams

Since 1998, through site specific works, often in public spaces, or video works, Dennis Adams focuses on ambiguous characters, condemned by our recent history, revealing traumas or collective amnesia phenomena...

Larry Bell

Lin Ke

Lin Ke’s video and media-based installations explore how perceptual experiences of our surrounding environments are mediated and altered by various technologies...

Chris Wiley

Guan Xiao

Guan Xiao is known for her videos composed primarily of found images and videos and her sculptures that explore the logic by which things relate to one another...

CAMP

CAMP is an artistic collective that started working as a group in 2007, initially consisting of Shaina Anand (filmmaker and artist), Sanjay Bhangar (software programmer) and Ashok Sukumaran (architect and artist)...

Chia-Wei Hsu

Embarking from myriad audio-visual narratives, Chia-Wei Hsu pursues imaginative interrogations of cultural contact and colonization in Asia, oftentimes amalgamating his primary narratives with non-human actors including technologies, animals, gods, environments, traditions, and material objects...

Li Xiaofei

Li Xiaofei initiated Assembly Line in 2010, an ongoing project that records industrialized social change not only China, but as it occurs internationally...

Yim Sui Fong

Through moving image and video installations, Yim Sui Fong’s practice is primarily focused on her interest in performativity; how an individual or collective body navigates the lines of social mobility in an increasingly controlled public sphere...

John McCracken

Edith Dekyndt

Edith Dekyndt’s work observes, identifies, and transforms the performative phenomenology of ordinary materials, objects, and gestures...

Trisha Donnelly

Miri Segal

Miri Segal’s work relates to questions concerning the nature of life, the role of images, and the relationship between the two, whilst systematically exposing the nuances of perception...

Daniel Crooks

Bontaro Dokuyama

Bontaro Dokuyama became an artist after the triple disaster of March 2011 that irrevocably damaged his hometown of Fukushima, “sensing that everything that had been taught to him was a lie.” Previously working as an architect, he then started his artistic practice under a new name in order to underline the beginning of this new life...

Barbara Kasten

Minouk Lim

He Xiangyu

Having grown up in China during a period of rapid urbanization and social change, He Xiangyu is especially attentive to the mutability of things and environments...

Lenka Clayton and Phillip Andrew Lewis

Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...

Jordan Kantor

Jordan Kantor’s artworks explore relationships between painting and photographic mediums...

Yogesh Barve

Yogesh Barve (b...

Keith Tyson

Chris Huen Sin-Kan

Chris Huen Sin-Kan (b...

Nolan Simon

Nolan Simon is a figurative painter whose practice reflects and addresses phenomena of image proliferation, the artistic legacy of appropriation and the history of modern painting...

Yang Xinguang

American Artist
© » TATE EXHIBITIONS

about 3 months ago (02/12/2024)

Vija Celmins | Hatton Gallery See the work of Latvian-American artist Vija Celmins at the Hatton Gallery, Newcastle ARTIST ROOMS Vija Celmins takes an in-depth look at the artist’s works on paper...

© » BOOOOOOOM

about 3 months ago (02/09/2024)

Artist Spotlight: Katia Lifshin – BOOOOOOOM! – CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS Submit A selection of recent work by artist Katia Lifshin (previously featured here )...

© » AESTHETICA

about 3 months ago (02/09/2024)

Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...

© » AESTHETICA

about 3 months ago (02/08/2024)

Aesthetica Magazine - Exploring Light with Squidsoup Exploring Light with Squidsoup This year, Battersea Power Station’s annual Light Festival returns to brighten up the riverside in London...

© » FAD MAGAZINE

about 3 months ago (02/02/2024)

13 artists at Art Rotterdam Skip to content By Paul Carey-Kent • 2 February 2024 Share — This year marks the 25 th anniversary of Art Rotterdam (1-4 Feb), and the last before it moves from the iconic Van Nellefabriek ex-factory, an architectural classic, to a bigger and more central site...

© » ART21

about 3 months ago (01/25/2024)

Press Release: Art21 to Release First Film of 2024: “Lawrence Abu Hamdan: Politics of Listening” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 15:03 Add to watchlist Politics of Listening Lawrence Abu Hamdan Extended Play February 7, 2024 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...

© » SLASH PARIS

about 3 months ago (01/24/2024)

Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris Login Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Clémentine Adou — Xmas Exhibition Installation, sound - music, mixed media, video Clémentine Adou, Red nose, red dot, 2023 Red nose, motor — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Ends in 21 days: January 26 → March 3, 2024 “Movement is not material...

© » FLASH ART

about 4 months ago (01/09/2024)

Alfredo Aceto "3" Hua International / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » COLOSSAL

about 5 months ago (12/17/2023)

Brazilian artist Rafael Silveira supplants heads with bunches of flowers, flocks of birds, and plumes of smoke in fantastical portraits that delve into the inner workings of the human psyche...

© » TWOCOATSOFPAINT

about 5 months ago (12/16/2023)

Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...

© » SOUTH CHINA MORNING POST

about 5 months ago (12/12/2023)

French artist’s sea-life sculptures amaze and terrify in Hong Kong exhibition at Tai Kwun | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more French artist Jean-Marie Appriou with some of his sea-life sculptures at his exhibition “Magnetic” at Tai Kwun, Hong Kong...

© » HYPERALLERGIC

about 5 months ago (12/06/2023)

“Miami English” Phrases to Know During Art Week Skip to content Still from “Shit Miami Girls Say” by Aimee Carrero, Michelle Sicars, and Giancarlo Sabogal (screenshot via Youtube , courtesy Michelle Sicars ) I grew up speaking Miami English, but I didn’t know it...

© » KQED

about 5 months ago (12/05/2023)

The Best Art I Saw in 2023 | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture The Best Art I Saw in 2023 Sarah Hotchkiss Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link It’s that time again — time for a hyper-specific superlative-laden list of the best art experiences I had this year but didn’t get a chance to write about...

© » GALERIE MAGAZINE

about 5 months ago (12/04/2023)

5 Museum Exhibitions to See in Miami During Art Basel - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Hernan Bas: The Conceptualists" at the Bass Museum of Art, Miami Beach...

© » 1854 PHOTOGRAPHY

about 5 months ago (12/04/2023)

Code switching: How Fotomsuseum Winterthur became digital-first - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW With the physical space closed for renovation, Fotomuseum Winterthur’s digital curator reveals how ASMR livestreams and ‘sludge content’ are keeping online momentum high Marco De Mutiis, digital curator at Fotomuseum Winterthur, wants the photography world to “stop whining”...

© » ARTSY

about 5 months ago (12/01/2023)

5 Artists on Our Radar in December 2023 | Artsy Skip to Main Content Advertisement Art 5 Artists on Our Radar in December 2023 Artsy Editorial Dec 1, 2023 2:00PM “Artists on Our Radar” is a monthly series focused on five artists who have our attention...

© » PAINTERS' TABLE

about 7 months ago (10/16/2023)

Art review: Larry Groff at Prince Street Gallery | Painters' Table Images only Larry Groff, Will be Wild, 2022, oil on linen, 36 × 52 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Nap Dream, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Gracias a la vida, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, My French Defense, 2023, oil on linen mounted on panel, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Unbroken Circle, 2023, oil on linen, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Circling the Square, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff: Flipped Prince Street Gallery, New York October 3 – 28, 2023 A lot is happening in Larry’s Groff’s recent paintings...

© » NYTIMES LENS

about 7 months ago (10/05/2023)

Whales, From Above - The New York Times Travel | Whales, From Above https://www.nytimes.com/2023/09/15/travel/hamptons-whales-sharks.html Share full article 367 A humpback whale breaching off the coast of East Hampton, N...

© » BOMB

about 8 months ago (09/11/2023)

BOMB Magazine | Jenna Sutela Interviewed Necessary (Required) Cookies that the site cannot function properly without...

© » LENS CULTURE

about 11 months ago (06/06/2023)

Endless Forms Most Beautiful - Photographs by Janelle Lynch | Essay by Joanna L...

© » GALERIA FOKSAL

about 23 months ago (06/25/2022)

Szymon Szewczyk, Tears in My Eyes - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Szymon Szewczyk Szymon Szewczyk, Tears in My Eyes June 25, 2022 Szymon Szewczyk | Tears in My Eyes Opening: Saturday, June 25th, 2022, 4pm – 8pm June 25th – August 20th, 2022 Curator: Katarzyna Krysiak The exhibition will include works made with polymer mass using the intarsia technique, which Szymon Szewczyk has been implementing in his art for many years The intarsias will show dancing characters, bodies in motion, some more simplified than others...

© » ARTS EQUATOR

about 25 months ago (04/08/2022)

Dalam Southeast Asia: At Home in the World | ArtsEquator Skip to content Alex Foo reviews the exhibition The Tailors and the Mannequins , featuring works by Singaporean artist Chen Cheng Mei and Cambodian artist You Khin...

© » ARTS EQUATOR

about 52 months ago (01/17/2020)

ArtsEquator’s Top 10 Picks of TPAM 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hideto Maezawa January 17, 2020 The Performing Arts Meeting in Yokohama will focus on dance and physical expression this year...

© » ARTS EQUATOR

about 53 months ago (01/05/2020)

Serendipitous releases: "PheNoumenon" by T...

© » IMA

about 57 months ago (09/02/2019)

the amana collection Exhibit 04: Ryudai Takano, Nao Tsuda | Exhibition | IMA ONLINE the amana collection Exhibit 04: Ryudai Takano, Nao Tsuda 2 September 2019 - 30 September 2019 IMA gallery TAGS Ryudai Takano Nao Tsuda IMA gallery Share 12.02.27.#36bw, Photo-Graph, 2012 © Ryudai Takano, Courtesy of Yumiko Chiba Associates On exhibit are two bodies of work by Ryudai Takano...

© » ARTS EQUATOR

about 62 months ago (03/25/2019)

Weekly Picks: Indonesia (25 - 31 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 25, 2019 Top Picks of Indonesia art events in Bali and Jakarta from 25-31 March 2019 The Littletalks in Ubud, Bali is holding a watercolor exhibition on Calonarang ...

© » PAINTERS' TABLE

about 66 months ago (12/04/2018)

The following essay is the second in an occasional series featuring important but under-known writings by the painter Sargy Mann (1937- 2015)...

© » ARTS EQUATOR

about 71 months ago (07/02/2018)

Weekly Picks: Singapore (2 - 8 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Singapore July 2, 2018 PRESS GANG by Wild Rice 5 – 15 July 2018 Press Gang is a play presented by Wild Rice as part of the Singapore Theatre Festival...

© » THE RE:ART

about 87 months ago (03/19/2017)

Dragoș Bădiță - Light Falls - The re:art Dragoș Bădiță – Light Falls From February 3rd to March 17th, 2017, Anca Poterașu Gallery presented the solo show Light Falls by Cluj-Napoca based artist Dragoș Bădiță, who is also co-coordinator of Lateral ArtSpace ...

© » KADIST

about 13 months ago (04/13/2023)

© » KADIST

about 63 months ago (03/11/2019)

© » KADIST

about 63 months ago (02/27/2019)

© » KADIST

about 68 months ago (09/22/2018)

© » KADIST

about 126 months ago (01/06/2014)

© » KADIST

about 187 months ago (12/12/2008)

© » KADIST

about 206 months ago (06/06/2007)

© » KADIST

about 210 months ago (01/25/2007)